“I am a descendant of slaves.”
~Jim McDowell, potter
“My face jugs are ugly because
slavery was ugly.”
~Jim McDowell, potter
“There are times when I sit at the wheel
when I believe ideas come to me
from the ancestors.”
~Jim McDowell, potter
“I’ve been making face jugs for over
35 years, but I am not a folk artist.
I am directly inspired by African
American and Caribbean traditions.”
~Jim McDowell, potter

In 2025, both the Metropolitan Museum of Art in NYC and the Smithsonian‘s National Museum of African American History and Culture will add Jim McDowell’s face jugs to their permanent collections.

Events

 

“Tale of Two Cities”

“Tale of Two Cities”
New Orleans Academy of Fine Arts
Saturday, Sept. 13  –  Saturday, Nov. 8, 2025
New Orleans, Louisiana
This exhibit honors artists of New Orleans, LA, and Asheville, NC,
who persist in the wake of destruction.

 

“Living History: David Drake the Enslaved Black Potter”

“Living History: David Drake the Enslaved Black Potter”
Saturday, May 24,2025 @ 2 p.m.
Portrayed by Jim McDowell
Folk Art Center – Blue Ridge Parkway, Asheville, NC

 

ArtFields, Lake City, SC

ArtFields, Lake City, SC
“Remembrance”
A solo show of work by Jim McDowell
September 2024 – January 2025

 

SOCO Gallery

SOCO Gallery Charlotte, NC

“New North State”

June 12 – August 7, 2024

 

The Metropolitan Museum of Art

The Metropolitan Museum of Art
New York, New York
September 2022 – February 5, 2023
https://www.metmuseum.org/exhibitions/listings/2022/edgefield
“Hear Me Now”
The Black Potters of Old Edgefield, South Carolina

Africans made face jugs for use in spiritual and funerary practice or to ward away evil. There are many myths and stories about these jugs. Sometimes a face jug was buried next to the doorway of a home, in the belief it held a spirit of protection. I’ve heard they are created ugly to scare away the devil. Another story says if the face jug on a grave is found to be broken, the soul of that person went on to heaven. Whatever the reason for their existence, I know face jugs, often called conjure jugs, were made by enslaved and newly freed persons of African descent in this country.

I believe 19th century or early 20th century white potters appropriated the face jug design, now considered southern folk art. I’m taking it back, one jug at a time.